{"id":10159,"date":"2026-10-20T09:56:27","date_gmt":"2026-10-20T12:56:27","guid":{"rendered":"https:\/\/museudoipiranga.org.br\/?p=10159"},"modified":"2026-10-20T10:13:20","modified_gmt":"2026-10-20T13:13:20","slug":"cinema-museu-do-ipiranga-2026","status":"publish","type":"post","link":"https:\/\/museudoipiranga.org.br\/en\/cinema-museu-do-ipiranga-2026\/","title":{"rendered":"Cinema no Museu: Presen\u00e7as negras no Cinema Brasileiro"},"content":{"rendered":"

O Museu do Ipiranga realiza, no dia 14 de novembro, \u00e0s 15h, a quarta edi\u00e7\u00e3o do <\/span>Cinema at the Museum<\/b>. Intitulada <\/span>Presen\u00e7as negras no Cinema Brasileiro<\/b>, a edi\u00e7\u00e3o acontece durante o M\u00eas da Consci\u00eancia Negra e busca promover a discuss\u00e3o sobre a mem\u00f3ria de profissionais negros, sua presen\u00e7a no cinema brasileiro e os processos de apagamento de suas trajet\u00f3rias. Na ocasi\u00e3o, ser\u00e1 exibido o longa-metragem <\/span>Veneno<\/span><\/i> (dire\u00e7\u00e3o de Gianni Pons, 1952, dura\u00e7\u00e3o: 76 min).<\/span><\/p>\n

O filme foi produzido pela Companhia Cinematogr\u00e1fica Vera Cruz, conhecida como a Hollywood Brasileira, e restaurado pela Cinemateca Brasileira, detentora do acervo da extinta companhia. Entre seus atores, est\u00e3o grandes nomes da dramaturgia brasileira como Paulo Autran, Lima Duarte e Renato Consorte, e Alice Rezende, prol\u00edfica artista negra cuja trajet\u00f3ria art\u00edstica esteve, at\u00e9 bem pouco tempo, encoberta.<\/span><\/p>\n

A participa\u00e7\u00e3o de Alice no longa-metragem s\u00f3 passou a ser creditada, ou seja constar na ficha t\u00e9cnica de <\/span>Veneno, <\/span><\/i>ap\u00f3s as solicita\u00e7\u00e3o da inclus\u00e3o do nome da artista feita pelo curador e antrop\u00f3logo Alexandre Araujo Bispo, a partir de materiais do Arquivo Nery Rezende (ANR), adquirido\u00a0 pelo Museu Paulista da Universidade de S\u00e3o Paulo em 2020. Nery Rezende, irm\u00e3 de Alice, reuniu ao longo de sua vida uma s\u00e9rie de documentos que registram tanto sua trajet\u00f3ria pessoal quanto profissional, al\u00e9m de aspectos das formas de viver e se relacionar na capital paulista como uma mulher negra das camadas populares. Juntas, elas integraram o Teatro Experimental do Negro de S\u00e3o Paulo, a Companhia de Teatro de Revistas Benjamin Oliveira e o grupo musical Mestre Durva e Suas Pastoras.\u00a0<\/span><\/p>\n

Hoje, a p\u00f3s-doutoranda em Hist\u00f3ria e Cultura Material, Liliane Pereira Braga (Ndembwemi), conduz essa pesquisa de documentos do Dossi\u00ea Alice Rezende e do Arquivo Nery Rezende. Neste vasto material, encontram-se o roteiro de <\/span>Veneno<\/span><\/i> com anota\u00e7\u00f5es manuscritas pela artista,\u00a0 informa\u00e7\u00f5es referentes \u00e0 rotina de grava\u00e7\u00e3o do filme no di\u00e1rio de Alice, a men\u00e7\u00e3o \u00e0 atua\u00e7\u00e3o dela em correspond\u00eancias de sua irm\u00e3 e em fotografias \u2013 em uma delas, Alice se encontra sentada ao lado do diretor Gianni Pons nos est\u00fadios da Vera Cruz.\u00a0<\/span><\/p>\n

Este epis\u00f3dio da hist\u00f3ria da cultura brasileira ilustra os processos de apagamento de artistas e trabalhadores da cultura negros, cuja presen\u00e7a e import\u00e2ncia foram invisibilizadas at\u00e9 muito recentemente. Ao mesmo tempo, demonstra como o trabalho com o acervo do Museu do Ipiranga ajuda a iluminar pe\u00e7as-chave do nosso passado recente.<\/span><\/p>\n

Veneno <\/span><\/i>conta a hist\u00f3ria de Hugo (Anselmo Duarte), funcion\u00e1rio de uma ind\u00fastria de vidros, que ama apaixonadamente sua esposa Gina (Leonora Amar). Ela, ao contr\u00e1rio, demonstra completa indiferen\u00e7a pelo marido e este vai ficando obcecado pela ideia de que sua esposa o odeia. Hugo passa a ter horr\u00edveis pesadelos, durante os quais se v\u00ea matando Gina, e passa a confundir sonho e realidade. Na trama, Alice interpreta a empregada-dom\u00e9stica que trabalha na casa de Hugo e Gina \u2013 personagem que se torna uma pe\u00e7a-chave na hist\u00f3ria.<\/span><\/p>\n

Ap\u00f3s a exibi\u00e7\u00e3o, haver\u00e1 bate-papo com as convidadas <\/span>Tatiana Carvalho Costa<\/b> curadora, cineasta, professora universit\u00e1ria, e presidenta da Associa\u00e7\u00e3o de Profissionais do Audiovisual Negro (APAN), \u00e9 tamb\u00e9m integrante do Conselho Superior de Cinema (Minist\u00e9rio da Cultura); <\/span>Naruna Costa<\/b> proeminente atriz, diretora, cantora e co-fundadora do Grupo Clari\u00f4 de Teatro, em Tabo\u00e3o da Serra (SP). A artista foi a primeira mulher negra a vencer o Pr\u00eamio APCA de Melhor Dire\u00e7\u00e3o (2018), pelo espet\u00e1culo <\/span>Buraquinhos<\/span><\/i>. Seu pr\u00eamio mais recente \u00e9 o Kikito de melhor atriz coadjuvante por sua atua\u00e7\u00e3o em \u201cPele de Rinoceronte\u201d (dir. Marcelo Maia, 2026).\u00a0<\/span><\/p>\n

A media\u00e7\u00e3o ser\u00e1 de <\/span>Liliane Braga,<\/b> autora do livro \u201cCinemas afro-diasp\u00f3ricos <\/span>em face de <\/span><\/i>regimes racializados de representa\u00e7\u00e3o\u201d (Educ, 2026).<\/span><\/p>\n

About Cinema at the Museum<\/b><\/h6>\n

Inaugurated in 2025, the <\/span>Cinema at the Museum<\/b> It is a biannual initiative of the Ipiranga Museum that seeks to bring the public closer to discussions about history, culture and memory through cinema, strengthening the museum as a space for dialogue with current issues.<\/span><\/p>\n

Participate!<\/span><\/p>\n

In-person event<\/b>
\n<\/span>Date:<\/b> 14 de novembro<\/span>
\n<\/span>Time:<\/b> 3pm<\/span>
\n<\/span>Location:<\/b> Auditorium of the Ipiranga Museum<\/span>
\n<\/span>Accessibility features<\/b>Sign language and audio description, subject to availability.<\/span>
\n<\/span>Rating<\/b>Free<\/span>
\n<\/span>Free entry<\/b>: distribui\u00e7\u00e3o de senhas em frente ao audit\u00f3rio a partir das 14h<\/span><\/p>","protected":false},"excerpt":{"rendered":"

O Museu do Ipiranga realiza, no dia 14 de novembro, \u00e0s 15h, a quarta edi\u00e7\u00e3o do Cinema no Museu. Intitulada Presen\u00e7as negras no Cinema Brasileiro, a edi\u00e7\u00e3o acontece durante o M\u00eas da Consci\u00eancia Negra e busca promover a discuss\u00e3o sobre a mem\u00f3ria de profissionais negros, sua presen\u00e7a no cinema brasileiro e os processos de apagamento […]<\/p>\n","protected":false},"author":14,"featured_media":10163,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[7],"tags":[66,67],"class_list":["post-10159","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-eventos","tag-cinema-no-museu","tag-cinema-no-museu-2026"],"acf":[],"yoast_head":"\nCinema no Museu: Presen\u00e7as negras no Cinema Brasileiro<\/title>\n<meta name=\"description\" content=\"O Museu realiza, no dia 14 de novembro de 2026, \u00e0s 15h, a quarta edi\u00e7\u00e3o do Cinema no Museu. 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